Tag Archive: The Green Park

It is Not Always Rude to Point – The Lost Part II

I recently wrote about the joys of giving directions to the lost of London. I have decided to write a series, a self-help guide, or tutorial if you will, aimed at would be or existing direction givers. Buoyed by the interest shown in the previous post on how to catch, or engage, with the lost, here is the next section in which I deal with the practicalities of direction giving.

 

So you have caught a lost. You are doing a bit of static direction work,  that is you have chosen a fixed position in an area you know well and are now prepared to field enquires from any comer. Let us say you are being asked the easiest way to get to Grosvenor Square from Green Park Station, one of your favourite pitches.

 

Firstly invest a moment in evaluating your lost. Do they look fairly bright? Do they appear fit and able to make the journey? Your directions may need to be adapted to suit the client. In some cases it might be better to advise a cab, a tube journey or you might need to do a bit of relay direction or human taxi work, more on this later. If a lost has chosen badly, has chosen an imperfect tube station for example, don’t automatically correct or challenge them. They may have a good reason for choosing Green Park over Bond Street, maybe they just want a walk.

 

Assuming a reasonable level of fitness, competence and brightness is being exhibited by the lost, proceed as follows. Exude confidence, smile, you are being trusted. This poor lost won’t want to rely upon your information if you look shy, can’t make any eye contact or use phrases like “like”, “”sort of” or “kinda”. No, there is no room for ambiguity whatsoever. You have been asked for directions and you must now give them in a timely fashion, as precisely, clearly and unambiguously as possible. You are the expert, the  skilled helper, as Gerald Egan would have it,   in this relationship.

 

You don’t need clarification but always ask for it anyway. These are early days in your relationship. You need to exhibit your authority on the matter in hand. “Is there anywhere in particular in Grosvenor Square that you are looking for?” might be a good supplemental question. “Ah yes” says the lost, “I need to get to the Millennium Hotel”. Your chance to establish credibility is now there to be plucked.  “Oh yes,  on the South side of the Square, I know it well.”. The lost will now be in the palm of your hand. One Hundred and Eighty!

 

Begin with a generalised hand signal. “Well the Square is in that direction.”. Signal in the appropriate  north-westerly direction with your hand and arm. Keep your hand outstretched for a few moments, don’t snatch your pointing. The lost will need a moment or two to grasp the direction you are indicating.

 

Be aware of your underarm region though. As a man who often wears blue shirts, I might well perform this gesture as a semi during the summertime. A semi being the same gesture but made with the elbow close to the chest thus hiding any under-arm stains.

 

Don’t try and give the most direct route but do try and give the most memorable route. A beginner’s error is to list all the roads and junctions that the lost will need to take. This could involve short-cuts, cut-throughs and all manner of hazards that your lost will not be able to cope with. Leave the joys of Mount Street Gardens for the locals. Keep It Short & Simple or KISS as we direction givers like to say!

 

Okay, the general direction indicated, we can now move on to route giving proper. Firstly don’t forget to reassure. “Well that’s not far, you are only a few minutes’ walk away” the lost like this, they like it a lot. Then move on, “I think the very easiest way is for you to walk along this road (indicate Piccadilly going east) and take the first left. That road will take you to Berkeley Square, the Square is large and has many fine trees in it (as soon as they see the London Planes they will feel comforted and on the right track) keep walking straight until you get to the top-right hand corner of the Square (Generally lost don’t do compass points well, stick with your basic left and right). Then you will need to go to the top left of the Square. When you are there you will see two roads, you will need to walk up Davies Street (say this in bold italics). Carry on straight up Davies Street and you will very soon come to Grosvenor Street. You know where I am going on this don’t you? Yes, that’s right Grosvenor Street leads directly into Grosvenor Square! Turn left into Grosvenor Street and just keep walking straight and you will even be on the right side of the Square for the Millennium Hotel.”

 

“That’s great, thank you so much.” The lost will say, and begin to move their weight onto their favoured foot, as if to begin their journey. This is the danger zone. For God’s sake do not let them leave yet! They are in peril.

 

You have done a fine job, your directions were clear and accurate, just two street names were used and the route was essentially a straight, left, left, straight, left, straight one, but you said it more elegantly than that, and you didn’t mention all the confusing junctions. The problem is that your lost wasn’t listening to a word you were saying.

 

All the time you were talking the lost was observing you, your clothes, your intonation, your body-language, your unseemly under-arm sweat stains etc.. All good mammal stuff. Are you a threat? Are you a helper? Can you be trusted? Be patient. Your lost only devoted an estimated 3% (Clarke, Chicago, 2001) of their attention to the content of your directions.

 

“Always repeat.” as E M Forster always said, and so often did (which is why I find him so unreadable).

 

So give the directions again, this time preface them with a remark such as “So, just to be really clear, the Square and the hotel are in this direction (gesture as before and continue)”. Use precisely the same language as before;  somewhere deep in the subconscious of the lost they will still be processing the first set of instructions. Use different language this time and you risk causing cognitive dissonance, it’s like throwing two pebbles into a pool  and could leave your lost fraught in the collision of ripples. You can even reuse the Davies joke, they really didn’t get it the first time anyway.

 

An advanced tip

I am a professional City of Westminster Guide. We guides are trained to always stand facing our group with our backs to the subject in hand. It is obviously unnecessary to turn around to check whether Westminster Abbey or the Cenotaph is still behind us as we wax lyrical on the tombs of Kings & Queens or entasis. In guiding, eye-contact with the group is of paramount importance; in directing the lost the truth is more subtle.

 

As a naive director and guide, I once tried an experiment. I had picked up a lost at Green Park, a young Canadian woman, who asked where Buckingham Palace was. I gave her very  full and accurate directions without, ever once, breaking eye-contact. I “guided” her, a dreadful mistake.

 

“Yes, certainly Madam, welcome to Mayfair, welcome to Westminster, you will need to cross the road in front of you. That is Piccadilly, the southern boundary of Mayfair. The crossing to your left (prolonged gesture, using my right arm) is currently closed for road alterations. I suggest that you use the crossing to your right (another prolonged gesture, this time with my left arm). You are ultimately responsible for your own safety (An insurance-led comment if ever there was one.). Once you are over the road, proceed in this direction (a prolonged, armpit-revealing signal, suggesting westward movement) and you will very shortly come to a gate. Go through the gate and walk straight along the footpath in front of you. You will be walking through The Green Park. By the time you reach the Canadian War Memorial (I thought this might add additional interest to a Canadian) Aston Webb’s remodelling of the iconic frontage of Buckingham Palace, in Portland stone (admittedly just showing off here) will be clearly in view.”  By the time I had repeated this, I had somehow sensed, I am very empathic in that way, that  the poor woman was utterly freaked out by my performance and was wishing she had asked the Big Bus guy for directions instead.

 

Directors, and would be directors, please learn by my mistakes. Always turn your body to face whatever you are talking about, use your bodies to suggest movement and direction and don’t show off. The lost like it that way.

 

Next time I will write a little on relay directions and begin to essay human taxi work.

London’s Most Beautiful Shelter?

Outside Green Park station work to  relocate this statue and fountain is almost complete. “Diana of the Treetops” by Estcourt J. Clack was originally unveiled in 1954. To see pictures of the statue in the original location and for more details, see this previous post.

 

The statue has been fully restored and is now accented in Gold.

It stands at the end of a  ramp leading into the new entrance to the station from the park. The mound has been planted as a wild-flower meadow.

 The hoardings around the other new entrance to the station, on the South of Piccadilly, are also coming down. This is the new station shelter seen from the Piccadilly side.

 

This seemingly modest structure has been constructed to the very highest standard. Beneath the copper roof is some beautifully worked Portland stone.

Portland stone is a staple building material in London, from St Paul’s Cathedral to The National Gallery, The Bank of England to The British Museum. The Jurassic stone is packed full of fossils. Here at Green Park the stone has been skilfully worked to accentuate their visibility.

The artist  John Maine RA has created a frieze relief that runs around the entire structure. In this he has carved new large scale “fossils” into the Portland cladding.

John Maine has a particular interest in setting sculpture in relation to landscape and architecture. More details about his work can be found at the Royal Academy website. He is also responsible for the subtle granite paving outside the new station entrance.

The whole structure has been produced with such attention to detail and such craftsmanship that a simple shelter has become a work of art.

The relocated statue and the shelter are both part of a £60 million project to provide new step-free entrances and new lifts at the station. Acanthus LW were responsible for developing the original design by Capita Architecture and there are a few more details at their website.

E J Clack to Move Centre Stage at Green Park Station

This water-fountain and statue that stood in The Green Park for over 50 years has been permanently removed from it’s original location.

This is the site now, tarmac is being removed , the pinth, fountain and statue are long gone.

But they will be back with a vengeance in 2012, when the work at Green Park Station is complete.

Green Park Station and the surrounding area are currently undergoing major works, in time for the 2012 Olympic and Paralympic Games. Part of the scheme includes a brand new entrance to the Tube station direct from the park. When it is complete, this fountain will be re-sited as the centrepiece of this new entrance.

The statue is “Diana of the Treetops” by Estcourt J. Clack originally unveiled in 1954. In the base is a water fountain and even a water fountain for dogs.

Estcourt J. Clack, known as Jim, was a full-time woodwork teacher at Blundell’s School in Halberton, Devon. He won a competition to produce this fountain. It is one of the many fountains commissioned by the Constance Fund in London.

The Constance Fund was set up artist Sigismund C.H.Goetze’s widow, Constance,  in his memory. Its aim was “to encourage and promote the art of sculpture in London Parks.”.

The only other EJ Clack I know of in London, is the Charles Dickens Plaque on Marylebone Road. I am pleased that this, his previously lesser seen work, will now be in such a prominent position. Who knows, there may even be postcards of it by this time next year and “Jim Clack” might soon be a household name!

More on the history of this fountain from the National Archives here

>TROT – DON’T TROT

>Where Constitution Hill meets Duke of Wellington Place, at Hyde Park Corner, stands London’s most inclusive pedestrian controlled crossing.

The extra high control panels and lights for equestrians are complimented by controls for cyclists and regular pedestrians too.

Everybody’s going to be happy!

Not new, I just like it.