>Today, the 22nd of July, marks the 6th anniversary of the killing of Jean Charles de Menezes by police officers. This is the permanent memorial at Stockwell Station where he died.
The memorial was unveiled on Thursday 7 January 2010, which would have been his 32nd birthday. The mosaic was created by artist, Mary Edwards.
This link to a Guardian article has more details for those of you that may not be familiar with this tragic story.
Ask any London buff to name a major work by G.E. Street or G.F Watts and I’ll bet within moments you will get the reply “The Royal Courts of Justice and Postman’s Park“. Yet both men share another major example of their work in central London, but it is one that rarely features in the guidebooks and is visited only very rarely.
The church of St James the Less stands on Vauxhall Bridge Road, just a short distance from Pimlico Tube. This month it will celebrate its 150th anniversary, the publicity surrounding this milestone may help to bring it some well-deserved and much needed attention.
The Grade I listed church was built between 1858-61 as a tribute to Dr James Monk, by his daughters. The land, in what was then one of the poorest areas of Westminster, had been donated by Westminster Abbey. It was referred to at the time as a ‘lily among weeds’ and also ‘one of the most remarkable and beautiful of modern Gothic churches’.
The architect was George Edmund Street, this was his first church in London and he really went to town on the detailing. The interior is a heady mix of polychromatic brickwork, decorative ironwork, ornate stone carving, stained glass and marble columns all set beneath a painted ceiling. It is like walking into a jewel box. The exterior is treated with the same attention to detail. The distinctive campanile style tower is set with semi-precious stones and even the iron railings are rendered as works of art. More details on the architecture from Victorian Web.
But the most distinctive decoration in the church is this work by artist George Frederick Watts.
The glowing image above chancel arch is often referred to (even by Pevsner) as a wall-painting or as a fresco but in fact it is a mosaic. G.F. Watts did complete the work The Saviour in Glory or The Doom as a mural in 1861, it was his very last mural. However the mural quickly deteriorated and it was replaced with a Venetian glass mosaic to the original design, under Watts’ supervision, in the 1880′s.
If you have not visited the church before the upcoming celebratory weekend might be an ideal opportunity to do so. On Sunday, 31 July 2011, it will be 150 years to the day since the consecration of St James the Less Church in 1861. On Saturday 30th, the church is holding a community fete. There will be a variety of different things going on, including food and drink, musical entertainment and children’s activities. On the Sunday there will be a celebratory service, followed by yet more food, drinks and entertainment.
To get an invitation, email Jane Petrie – jane.petrie@sjtl.org, or phone 020 7630 6282. and she will send you an invitation in the post – so do include your postal address. You can also follow updates on their Facebook page.
If you can’t make the weekend celebration, the church is open to visitors everyday between 9am and 1pm, though you may have to ring the bell at the church office.
The church, whilst still very beautiful, is beginning to show its age. A long backlog of repairs and cleaning work is required to return it to full glory. The total cost of restoration and cleaning is estimated at £438, 000 including £16,000 just to clean and conserve the Watts mosaic. In the grand scheme of things this is not a fortune to spend on a Grade I listed masterpiece, if you would like to get involved in the church’s fund-raising do contact them.
The author of this blog is a qualified City of Westminster Tour Guide who runs unique walking tours throughout Westminster, see tabs for details.
>Much more to follow on Grinling Gibbons, but I am building this blog one post at a time.
Grinling Gibbons was a Dutch-born sculptor (l648/172l) who produced the most amazing carvings I know of. For those that don’t already know him there are some Wiki details here.
In the early 1970′s London Transport even produced a guide on where to see his best work in the Capital.
I still think it is the best guide there is but there are a couple of omissions when it comes to Gibbons associations.
Two of these are at the V&A, a statue of him on the South façade and a mosaic on a staircase inside. I was in the area today so got a snap of both.
This mosaic was first painted by J.D. Watson, and then executed by Florence H. Cole and Amelia Gibbon (no relation!) “superintended” by Samuel Cooper for Minton, Hollins & Co.. More details of the original painting (also in their collection) here.
The exterior sculpture is by William S.Frith (1850-1924)
Gibbon’s work generally photographs badly, even in the standard books, you do really need to see it to appreciate the skill and artistry. In future posts I will post locations and where possible my own attempts at photography.
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I mentioned the Boris Anrep mosaics at One New Change the other day, here are some pictures. There is another one on the roof terrace, along with four Charles Wheeler sculptures. These were all salvaged from the original Bank of England site. There are more details from the City of London Planning Department here.
