London for Sale: Eros, a Routemaster and Some Stunning Rare Images

On September 3rd 167 incredible London items will go under the hammer at Christie’s. Until then you can see them all for free in South Kensington.

Christie’s London Sale has brought together an amazing range of objects that will be of great interest to any London enthusiast. The sale encompasses an eclectic range of London associations from rock music to the Olympics, politics to transport; there are historic and modern paintings, prints, photography, maps, sculpture, furniture and even some famous clothing.

Prior to the sale the whole marvellous collection is on show at a free exhibition at Christie’s saleroom in Old Brompton Road.

These are some of the lots that, lottery wins permitting, will soon be gracing my flat.

Click on any image for a full-sized view.

A FULL-SCALE ALUMINIUM REPLICA OF 'EROS' CAST BY THE MORRIS SINGER FOUNDRY FROM THE MODEL BY SIR ALFRED GILBERT MVO RA (1854-1934),

A FULL-SCALE ALUMINIUM REPLICA OF ‘EROS’
CAST BY THE MORRIS SINGER FOUNDRY FROM THE MODEL BY SIR ALFRED GILBERT MVO RA (1854-1934)

This full scale replica of Eros, cast from Gilbert’s original model is estimated to fetch £ 150,000 – 250,000. It is far easier to appreciate the magnificent detail in a quiet gallery than it is in Piccadilly Circus.

{Note to pedants, yes, I know but everybody calls it Eros, not Anteros,  not the Angel of Christian Charity and not even The Shaftesbury Memorial.}

The Pagoda Bridge at Hampton Court by Joseph Paul (1804-1887)

The Pagoda Bridge at Hampton Court by Joseph Paul (1804-1887)

This is the best view of the Pagoda Bridge at Hampton Court that I have ever seen. The bridge was demolished in 1778 so this painting must have been based on earlier studies but that does not diminish its beauty. Estimate £2,000 – 3,000.

A proposal for a Thames tunnel, circa 1876 by A. M. Brown, after a design by J Standfield M.I.C.E., 19th Century

A proposal for a Thames tunnel, circa 1876 by A. M. Brown, after a design by J Standfield M.I.C.E., 19th Century

I always enjoy looking at images of London plans and buildings that were never actually built. This is one of 50 plans that were submitted for a new crossing of the Thames in 1876. The winning design was Tower Bridge. I hadn’t seen Standfield’s design in colour before, it is set to fetch £2,000-4,000.

Southwark Bridge from Blackfriars by John Atkinson Grimshaw (1836-1893)

Southwark Bridge from Blackfriars by John Atkinson Grimshaw (1836-1893)

John Atkinson Grimshaw’s Southwark Bridge from Blackfriars 1882 is one of the highlights of the exhibition for me. There is another  Grimshaw, just as beautiful, in the show too. Estimate: £150,000 – 200,000

Terminal 2, Heathrow by David Shepherd (b. 1930)

Terminal 2, Heathrow by David Shepherd (b. 1930)

Has Heathrow ever looked so romantic? David Shepherd’s painting of Terminal 2 is expected to realise £3,000-5,000.

A Prospect of the City of London Westminster and St James's Park. After Johannes Kip

A Prospect of the City of London Westminster and St James’s Park. After Johannes Kip

This magnificent Prospect of the City of London Westminster and St James’s Park after Kip, is a hand-coloured reproduction, on twelve sheets joined published by the London Topographical Society, London, 1903. It is over six feet wide and could be yours for £1,000 – 1,500

The Thames Tunnel by a member of the circle of William Tombleson, 19th Century

The Thames Tunnel by a member of the circle of William Tombleson, 19th Century

This unique image of the Thames Tunnel would surely be a fine addition to the Brunel Museum’s collection.  £700 – 1,000  is the estimate.

The Passing Show; Victoria Coach Station by Edith Mary Garner (b. 1881)

The Passing Show; Victoria Coach Station by Edith Mary Garner (b. 1881)

This unusual view of Victoria Coach Station by Edith Mary Garner is one of four in a series “The Passing Show”. The other three watercolours in the set are, St. Martin in the Fields,Shell Mex House and the Dorchester Hotel. The estimate for all four is just £ 1,500 – 2,000.

Bridget Fossey by Norman Parkinson (1913 - 1990)

Bridget Fossey by Norman Parkinson (1913 – 1990)

This image of French actress Bridget Fossey at St James’s Palace is the only print in the Norman Parkinson archive. Christie’s believe it to be unique. Estimate: £ 5,000 – 6,000

There are a lot more photos in the exhibition, including superb images of The Stones and  The Beatles. There is also a selection of London Transport posters, street signs and other transport memorabilia. They are even selling a Routemaster bus, though this isn’t on display inside the gallery. If you really, really, want to you can even make a bid for some of Mrs Thatcher’s old clothes!

There is a lot to see in this exhibition, I’ll certainly be visiting again and more than once if I get the chance. If you can’t make it, there is a printed catalogue detailing ever object on sale available for £20 and there is a free online pdf of this catalogue  too.

The exhibition is open everyday until September 2nd. Times vary you can check them here.

Christie’s Saleroom
85 Old Brompton Road, London

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3 Responses to London for Sale: Eros, a Routemaster and Some Stunning Rare Images
  1. Vini Italiani
    August 9, 2012 | 11:31 am

    You can pop into our shop – right opposite Christie’s for a taste of our wines – we always have at least 16 on the go and have over 500 wines from Italy to choose from!

  2. Lucy
    August 9, 2012 | 11:37 am

    Every time I see a Grimshaw I just get the shivers! Stunning every time.

  3. SilverTiger
    August 15, 2012 | 4:23 pm

    A noteworthy collection indeed. We attended a Grimshaw exhibition at the Guildhall a while back.

    That leads me to say that I feel equivocal about such treasures going under the hammer to individuals with no more qualifications for their guardianship than a heap of money. Too many of our treasures disappear into private collections (not even to be admired, just as a hedge against inflation and or financial storms) when, ideally, they should be accessible to all.

    On the other hand, I suppose anyone who lays out hundreds of thousands on an art work will keep it carefully and protect it from harm. In happier days it may find a hone in one of our public galleries. We can but hope.

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